The Nitty Gritty
Summer Session Enrollment Watch:
ENGWR 100 (College Writing): 30/28 (Change = +1)
ENGWR 301 (College Composition and Literature): 32/25 (Change = -1)
It appears my worries regarding whether or not my summer classes were going to fill are over. With more than two weeks remaining before the session begins, both of the courses I’m teaching are full, and each has a waiting list.
This means I have to get down to the business of really planning things, and it’s a job I both love and hate.
I love it because there is such a feeling of newness, and there is always an opportunity to do something different, but I hate it because I generally get that so-much-to-do-and-so-little-time-in-which-to-do-it feeling which has got to be the educational equivalent of a panic attack.
This feeling is magnified, say, tenfold when summer session is at issue—and that’s exactly the issue here.
The first few meetings are important: they set a tone for the entire semester, and finding the proper ground between maniacal bitch and oh well is always a challenge. (Given my natural lean toward maniacal bitch, I really have to work at this.)
The 100 course is roughly one-third grammar / punctuation and two-thirds writing. The challenge is easing students into the grammar and punctuation because going at it too hard too early freaks people out. The problem with this in a six-week session is there is very little time to ease into anything. Additionally, because the course requires building blocks and their application, putting off the grammar and punctuation is a delicate matter.
M.C. Escher’s image of a hand drawing a hand is exactly what I mean.
The 301 course is reading heavy, so picking the correct initial reads is crucial to getting the course off to a bang. I have read and reread the texts for the 301 class, and I’m nearing a point where I think I know which selections I want to assign first, but it’s still a roll of the dice. I know two things: I can’t start with Black Maria because it’s poetry, and like grammar and punctuation, poetry freaks most people out. I also don’t want to start with the graphic novel (i.e. comic book) because I think it might send the wrong message.
It’s got to be story that’s shorter than long, not too gory, but absolutely engrossing.
This, my friends, is the nitty gritty of teaching.
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